Theory of Formation of Mixed Ragas in Indian Classical Music: An Analytical Study

Authors

DOI:

https://doi.org/10.53724/inspiration/v7n4.03

Keywords:

Ranjakta, Shivranjani, Purvi-Paraja, Chhayalga Raga, Charukeshi, Kirbani, Jayanth Malhar

Abstract

The Present Paper Deals with the Theory of Formation of Mixed Ragas. In this article, ragas are formed by the principle of raga formation, by the basis of raga jati, by change in vadi samwadi, by pure chhayalang narrow distinction, by addition raga experimentation, by combination of south ragas, anga, by change in ragang process, by folk music, by gharana system.

References

Hindustani Sangeet Vidhi Serial Book Series, Pt. Vishnu Narayan Bhatkhande, Editor Dr. Laxmi Narayan Garg, Music Office, Hathras (U.P.).

Abhinav Geet Manjari, Shrikrishna Narayan Ratanjankar, Bombay Popular Book Depot, 1961.

Raga Vigyan, Pt. Vinayakrao Patwardhan, Publisher Dr. Madhusudan Patwardhan, Sangeet Gaurav Granthamala.

Abhinav Gitanjali, Pt. Ramashray Jha, Sangeet Sadan Prakashan, South Malaka, Allahabad.

Sangeetanjali, Pt. Omkarnath Thakur, Pilgrim's Publication.

Raga Mix Ru Some Thoughts, Sangeet Kala Vihar, December, 1968.

Music, Welfare Issue, January, 1954.

Music, Monthly Magazine, Madanlal Vyas, December, 1972.

Sangeet Kala Vihar, V.R. Deodhar, October 1972.

Ragamala, Pt. Ravi Shankar, Genesis Publications, New Delhi, 1947.

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Published

30-09-2022
CITATION
DOI: 10.53724/inspiration/v7n4.03
Published: 30-09-2022

How to Cite

Meena Kumari. (2022). Theory of Formation of Mixed Ragas in Indian Classical Music: An Analytical Study. Research Inspiration, 7(IV), 07–11. https://doi.org/10.53724/inspiration/v7n4.03

Issue

Vol. 7 No. IV (2022): September

Section

Articles

ARK

https://n2t.net/ark:/43097/Research Inspiration.v7iIV.196

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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